Loretta Fahrenholz:

›A dance style like bone breaking, where your joints are dis- and relocated, means exposing the body to very literal pain and distortion.‹

›The routines are mostly developed while filming them, so they exist only in communication with a camera and the movements and effects of the lens. Glitches, distortion, or changes in speed are not added in post-production but translated into the body movements, as a very direct communication with technology. The way the Ringmasters explained it to me, some kind of energy is moving their body, it’s basically the force that is creating the movement. It’s not necessarily improvisation, but something more esoteric.‹

read more in this interview by Texte zur Kunst